Wednesday, April 28, 2010

Steps to Hiroshima



Steps to Hiroshima

The man's maniacal cackle
echoes through the streets,
an imprint of an old woman
left on the bank step from the blast.

The man shuffles past
gasmask in hand, useless
a prop of comfort
for nothing will save him
from the radiation-

it will sink deep into his bones.


(If memory serves me correctly I wrote this on 4/1/10)

Monday, April 26, 2010

..and there was no wall

A collaborative poem written by myself and Eric Rudko on 4/26/10.


...and there was no wall


"It's the kind of happiness that can only come in a vial,”

she said, her eyes dulled over by years of wear,

black mascara on her hand where she tried to erase

the tears, hand shaking a jack and coke with ice clink on glass

he had never noticed the paint on the wall,

before that moment, nor how the bags she wore chronicled a month

of disgust and neglect, decrepitude. Stagnation.

The walls became unfamiliar over time, the curtains tattered,

"Likewise", he muttered to none but he,

and fixated on the ragged tatters, crimson against daylight

that passed as she sat, staring outside through the holes

that was the only daylight she had seen for a month.

Sweat hung about her glass, following the ice as it fell

with each sip, the room heavy with ash and almond

colored wallpaper. The ripples swimming, undulating.

She would reach out her hand but it met with no solid surface.

The floor was cool, but inviting, her soft cheek
against dust, her warmth creeping away like a thief, and all he could do was watch.

Sunday, April 25, 2010

Untitled

Written as a class exercise on 4/22/10. The exercise was to write about a surreal dream without mentioning it as a dream. Currently untitled. Help with a title would be great.

Perforations permeate through narrow stairs around blinding corners. Dusk white chalked shadow recesses leave traces etched on walls, plaster crumbles behind weathered wallpaper. Blackened with ashes of age.
Our tired lives are weary, read from cover to cover. Worn. Letters rubbed through. Smudges on pages. Penciled in then erased again in margins. Our marginal lives whited out and corrected; our mistakes still present beneath the perfection.